We hope you've got some time to read because the reviews for Then Came the Morning just keep coming! Today The Lone Bellow shared this Wall Street Journal article by Jim Fusilli, in which he calls Then Came the Morning "the year's first great album." We loved reading this review and have been scouring the internet for more. If you're not quite as crazy as us and don't feel the need to read every single thing written about The Lone Bellow, then we're happy to provide you with the highlights. We'd also love to hear your own album review. Feel free to share your thoughts in the comments, on our Facebook page, or on the forum!
Jason Greenspan of Baeble Music, writes:
"Then Came the Morning provides respite for weary ears in a musical climate that can seem overwhelmingly negative. The second album from The Lone Bellow sweeps you up in a tumult of powerful positivity, roots rock, and southern charm." Read the entire review here.
Beth Kellmurray at Diffuser FM writes:
"While every song shows the trio's ability to build momentum, they also show a versatility on 'Then Came the Morning'-- from the delicate, Pipkin-led ballad, 'Call to War,' to the rollicking call-and-response heard on ‘Heaven Don’t Call Me Home.’ The bluesy ‘Cold As It Is,’ however, is perhaps most exemplary of what the Lone Bellow really are: A trio of country powerhouses who can seamlessly blend their vocals into one unstoppable entity." Read the entire review here.
The folks at Culture Collide have this to say:
"If you were hooked on lead singer Zach Williams' strong and authentic voice before, there's even more this time around. There's also a little more variation, for example, with "Call To War" featuring a female vocalist rather than a male. The album as a whole also blossoms more and explores more facets within the band's overarching sound." The full review is here.
Finally, Paul Hollingsworth at Earbuddy writes this:
"The lavish harmonies of the trio still soar at all the right places (“Marietta”), break at exactly the right times (“If You Don’t Love Me”), and remain front-and-center on every song. Even when the band abandons its country sound entirely for a more jagged gospel-rock stomper as on “Heaven Don’t Call Me Home”, their voices still seem perfectly suited for the task." Read the review here.
Jason Greenspan of Baeble Music, writes:
"Then Came the Morning provides respite for weary ears in a musical climate that can seem overwhelmingly negative. The second album from The Lone Bellow sweeps you up in a tumult of powerful positivity, roots rock, and southern charm." Read the entire review here.
Beth Kellmurray at Diffuser FM writes:
"While every song shows the trio's ability to build momentum, they also show a versatility on 'Then Came the Morning'-- from the delicate, Pipkin-led ballad, 'Call to War,' to the rollicking call-and-response heard on ‘Heaven Don’t Call Me Home.’ The bluesy ‘Cold As It Is,’ however, is perhaps most exemplary of what the Lone Bellow really are: A trio of country powerhouses who can seamlessly blend their vocals into one unstoppable entity." Read the entire review here.
The folks at Culture Collide have this to say:
"If you were hooked on lead singer Zach Williams' strong and authentic voice before, there's even more this time around. There's also a little more variation, for example, with "Call To War" featuring a female vocalist rather than a male. The album as a whole also blossoms more and explores more facets within the band's overarching sound." The full review is here.
Finally, Paul Hollingsworth at Earbuddy writes this:
"The lavish harmonies of the trio still soar at all the right places (“Marietta”), break at exactly the right times (“If You Don’t Love Me”), and remain front-and-center on every song. Even when the band abandons its country sound entirely for a more jagged gospel-rock stomper as on “Heaven Don’t Call Me Home”, their voices still seem perfectly suited for the task." Read the review here.
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